Thursday, May 24, 2018

Anthropos in the Anthropocene

Talk recorded yesterday for A Clockwork Green: Ecomedia in the Anthropocene Nearly Carbon Neutral Symposium, Association for the Study of Literature and Environment (ASLE) and the University of California, Santa Barbara June 2018

Conference details and videos will be hosted are at The Environmental Humanities Center at UCSB

This video runs 24 minutes. It contains bird calls and rural machinery sounds.

Tuesday, May 22, 2018

A≠A

A=A
is untrue because the A on the left is in a different place: it appears elsewhere (being-there) and for those of us who read left to right the second A appears later. There is a relation of equivalence, not of identity

The crucial part of the statement is then '='. The equivalence of two appearances states that they stem from the one being. To ascribe Being is to ascribe equivalence so that the sender and the receiver can be fixed in their different places, the '=' thus referring to the equivalence of the perfect message leaving the left A and arriving in the same form at the right A.

A≠A
"you can never step into the same river twice", but the river at the left A is still equivalent to its later appearing as the river at the right-hand A, except that the equivalence is under erasure. The '≠' thus indicates not only non-equivalence, but the oblique stroke of noise: a fourth party in the formula. The glitch in the equivalence emphasises the time the transmission from left to right takes, so emphasising becoming over being.

A=A is a necessary upshot of the transition from mediation to communication. Communication, which must divide the flux to secure survival, distinguishes sender from receiver (prior to subject/object, human/natural, male/female, colonist/colonised etcetera since all those distinctions require communication in order to be stated and enforced).

A=A imagines communication as perfect: left and right equal one another in the sense that they are equally informed, in this case minimally informed by the relation each enters into with the other. The content of the message '=' transmitted between the two 'A's is "the term on the left is equal to the term on the right".

'A≠A' imagines the communication as imperfect. The content of '≠' is not simply that the terms are unequal but that the message concerning their equality has been interrupted. Nonetheless, it transmits a message that connects the terms, whose content therefore is 'there is a relation between the two terms, but it is not a relation of equivalence'. (This is not startling to Lacanians, for whom the statement 'I think therefore I am' concerns two distinct and non-equivalent uses of the word 'I').

Translating '≠' as the statement of a relation other than equivalence can also be read as the statement 'the two terms are unequal'. It is impossible to tell, however, as in the master-slave dialectic, which of the two is the lesser. This is because the terms themselves are products of the initial non-identity that arises from the difference in relative location constructed by the sign of communication that divides them. This in turn is because the inequality is not inherent in either but rather in the oblique stroke which, in striking through the sign of communication between equivalents, achieves eminence over them both.

Three possible solutions:
i) the '=' is not the sign of communication but, taken in isolation, the sign of mediation, denoting the primacy of interconnection. It only becomes the sign of communication when it is placed between and divides terms. The noise of the oblique stroke that undoes the equivalence of being would then be the mark of repressed primal mediation re-asserting the pre-eminence of mediation over communication. This form of noise has environmental origins like sunspots, cosmic radiation or electrical storms. It belongs to the Real.

ii) the oblique stroke arises as an affordance of the communicative, and denotes in its most primitive form Gödel's theorem: the statement 'A=A' is either incomplete or incoherent. In this case the source of the noise is the technique of mathematics. It arises from the functioning of the Symbolic and is systemic.

iii) The diagram of 'A=A' runs left to right. A second axiom is required to complete the feedback loop ('If A=B then it is also the case that B=A'). This secondary axiom however removes the temporal distinction of the original statement ('If A then A=A'), where the word 'then' or its synonyms ('it follows', for example) indicate a direction in time. If 'A≠A' reads only as 'there is a relation (other than equivalence) between left and right terms', there is no time involved. This would indicate that solution (i) is correct, and that the repressed primality of timeless flux has erased the temporality implicit in logic. It is also the case that the secondary axiom permits its own reversal, that is 'If A=A then A'. This reversal can then itself be reversed, so that the feedback mechanism introduced by the secondary axiom enters into endless recurrence. This repetition of the same then marks not the erasure of time but its measure in terms of repetitions of the same. This is abstract or clock time. Placing the '=' under erasure, by admitting the possibility that the two A's are not equal, makes it impossible to reverse the formula A≠A since one or other of these A's, we do not know which, is the greater. This inequality would could not arise from the return of the primal '=' without terms, since the terms remain, and remain distinct from one another (that is, the expression 'A≠A may be translated as ~ A=~ A, not-A equals not-A, in which case the modes of not-being-A on either side of the sign of communication might be entirely unlike one another). A≠A is then a double negation, undoing both the perfect communication of equivalence with its tendency to infinite repetition, and the timelessness of the '=' sign when it appears without terms. True, the '≠' might still be a technical glitch in the infinitely repetitive measure of time in feedback loops. However, this glitch must itself occur within the logic of time, that is as a historical event of interruption. Thus the third solution would be that what strikes obliquely through both primal flux and infinite measure is an event. Neither the perpetual motion of primal mediation nor the infinite recurrence of feedback permit events. Therefore a third mode of time emerges in the sign '≠'. This third mode of time, the time that permits events to occur, we call history.

The third solution belongs to the Imaginary: it is structured by the division of the self into the one that thinks and the one that is; by the experience of the mirror stage where the child misrecognises its ideal image in its reflection, more potent and coherent than it feels itself to be; and which enables the child to identify with other bodies beyond itself, the first building blocks of socialisation. History belongs to the social rather than the perpetual flux of the Real or the administered repetitions of the Symbolic. Non-equivalence, non-identity belong to events, and thence to the possibility of becoming, the possibility of changing the world, to potential and therefore to action.

Tuesday, January 16, 2018

For Val Plumwood

God had already loaded the dice in Eden, first by giving Adam dominion over the beasts, and then by demonstrating his own dominion through the interdiction against eating the fruit of the tree of knowledge. It was not only that God established Adam as regent over the animals, or that he placed Eve in the subordinate role, but that Adam had the power to name the animals, while she was the one who could speak to them. The fall from primal paradise was already assured by the design of paradise itself.

Wednesday, December 13, 2017

the encyclopaedia and the database: utopian potentials

A fragment from a conversation with Lanfranco Aceti on Time, to be published at some point. The first line refers to Eco's idea that 'the knowledge we seek is unlimited because it assumes the form of a continuous interrogation'. The reference to Descartes refers to the 4 stages of the method.

The idea of knowledge not as accumulation of facts or data but as permanent inquiry has at first the structure of a future-oriented job of work. At the same time however, Calvino's concept of the encyclopedia as a project to give subjectless voice to the environmentalised, externalised and excluded surely points both to the silence of the dead and the silence of future generations (the silence of Gaia after humanity). The present is the only space of action, but it is also the only time of speech. This allows us more specificity about the possibilities for temporalising the relations established in database architectures. At present, databases extract relations from past behaviours extrapolated into the future for present profit. The present so constructed is therefore that singularity, the travelling but always still point into which past and present collapse to be consumed and discarded. This limited form of action is inherently destructive. It owns no obligations, only accumulation and debt. But if the present is the only time for action, speech and the resolution of obligations, it can be reconceived: no longer a point into which past and future disappear but the field of movements. Since, as system, the stilled, timeless present of the singularity is debarred from resolving the contradiction between coherence and completion, it already contains within itself the contradictions that stop it from unifying and universalising its knowledge in the Cartesian model.

Saturday, November 18, 2017

Distinguishing 'instant' and 'moment'

Cybernetic connectivity has a different character to the continuum, even as it emulates its ecology of mutual mediation. A relational database undoes the linear march of film in favour of a single time embracing every item that it stores. In place of the perpetuity of change, the database establishes networks connecting each item to any other. This is a pretty good solution to the design challenge of creating something that works almost like the planetary ecology of humans, technologies and natural forces. The problem is that selecting the pathways between nodes relies on prior design decisions about what counts. Facebook for example use hundreds of indicators to select which items appear in which order in your news feed. Choosing which features to single out, and what ranking to give them, requires a necessarily hierarchical taxonomy. The various forms of relation have to be given numerical values to indicate which relations are the most significant. And it is these numerical values that distinguish the database from the ecologies, social or physical, that it represents. Far more navigable and flexible than film, the database shares with the older medium its reliance on counting numbers to distinguish it from the continuum that it still tries to stand in for.

The database can be read aesthetically as an extension of television which, by the beginning of the 1970s, had begun to provide an endless modular flow of programming. Film, unless it is pure repetition, comes with the promise of an end. Television never stops. Like TV, the database has no conclusion, but now because it has no temporal direction at all. Perhaps for the first time in modern history it aspires to the condition of something like a truly windowless monad.

The kind of database I'm thinking of is not like a film or photographic archive, where each item can in principle if not in practice be attended to; but the vast databases of Facebook and Instagram with their billions of items and relations. Like the physical world, their complexity is too great for any one to attend to even a fraction of the contents. And they are proprietary: both the contents and even more so the algorithmic principles that order them belong to corporations, themselves combinations of computers and people so integrally bound together I've taken to calling them cyborgs.

The planetary ecology, which includes the natural, technological and human worlds, is not the same as the internal ecology of a database, but there are similarities. One distinguishing feature is that there is a definitive outside of the database. It creates externalities and environments, and to a great extent depends on them: the materials and energy that constitute and power it. Even at the planetary scale, the ecology, dependent on tides and sunshine, and subject to cosmic radiation, is borderless. At the same time, neither artificial nor planetary ecology have a defined goal, unless you count profit as the sole goal of proprietary databases. One can certainly imagine a database of this scale that has no goal whatever, and that simply evolves. Perhaps then a second difference is that the planetary ecology, even though it lacks a teleology, has an eschatology.

In their various and often mutually contradictory ways, much of the critical thinking that inspires the early 21st century engages with some form of the utopian principle: that immanent within the present is the possibility of a vastly different state of affairs: that, as the slogan has it, another world is possible. That possibility is precisely what disappears in the database ecology.

But at the same time, if there is an eschatological dimension to the planetary ecology, and if it is also true that the broader ecology encompasses databases, their materials and energy and their implication in human affairs, then there has to be also a sense that the database contains within itself the reason why it may become otherwise. Such an occulted hope may lie precisely in the difference between enumeration and continuum, or to put it another way, in the rift between the instant and the moment, where the word moment carries the sense of momentum, of the intrinsic power of any actual state of affairs to become other.

Monday, July 10, 2017

The past and present beauty of Saturn

If beauty is to stand, the monument that outlast perennial bronze, then it is already posthumous at the moment of its birth.

The Imagist is a photographer and vice versa – the instant preserved, the pressed flower, is not a pledge to remember but the triumph of the future over the present. Then who will speak for and to the present of its own yearning to be wonderful and free?

Blinn's animations and Cassini-Huygens's telemetry are both in their ways reliable depictions of Saturn. Only the god escapes, who is also the father of all the gods.

But is it the case that either denudes the old-father of some sacred dignity? To the contrary, clothed in the glories of colour and movement, the imaged planet is as far from us as the old god, indefinitely removed, knowing we shall never clap eyes on him in the same room or in the fields or on the battlefield. The glamour 'that is upon him' of distance and time's absolute is not undone by codec and gamut: “that you do no work / and will live forever”.

It is enough to know that he exists. Our pictures are – expensive, compulsive – simple acts of worship.

And if these images of Saturn are at once beautiful and posthumous acts of worship dislodged from the co-presence that distinguishes natural from artificial beauty
(Beethoven, deaf, teaches that music in composition is its pure presence)
then observations of Saturn prove that the invisible and inhuman beauty of Saturn as he is Now that we infer from Saturn then, in imagination or by instruments, continuously graces what it is to be, this summer evening in a garden in England in fading light.

Saturday, May 20, 2017

Logistics and behaviours

In the history of consumerism, the Keynesian response to the 1929 Crash built on the foundation of the nuclear family which became responsible for consuming the over-production caused ultimately by the falling rate of profit. Under the pressure of organising consumption, the this artifically limited kinship structure began to falter with the accelerating rise of divorce in the 1960s. In the wake of the family as core organisational structure (though like the extended family before it, it continues as substrate to the newer forms), the new core institution of consumerism became the individual, much as described in Wendy Brown's work on neoliberalism. Thirty or more years after the triumph of neoliberalism (Thatcherism, Reaganomics) the individual, like the nuclear family before it, is in crisis (see for example Bifo's work on mental illness as a symptom of capitalist crisis). Today a new institutional core to consumerism arises. It is no surprise to computer science or digital commerce analysts that the individual is now a residual concept like the nuclear and extended variants of the family. In consumption and production, the new key phenomenon is comprised of discrete behaviours, of the kind gathered and orchestrated in Facebook's Edge Rank.

Under these circumstances we are dealing less with a dissolved self and more with a ditributed self, spread out through prosthetic media and connected to technological and physical environments. Such a distributed self throws itself open to the characteristic organisation of distribution: logistics, specifically the contemporary form of logistics as biopolitical management.

The movement towards behaviours begins in the industrial revolution's shattering of work with the division of labour. This not only, per Marx, de-differentiates the specific forms of work; it shatters the worker, who from now on is only acquired as the performance of small tasks – proto-behaviours. The expansion from the phenomenological range of the factory-based division of labour in the C19th to the New International Division of Labour (NIDL) by the late 20th is in itself a fundamentally logistical operation, just as logistics is fundamentally premised on labour and its division. This division proceeds through partwork to cognitive labour and the database economy

As labour moves from the productive to service and thence to cognitive; as mode of production moves from productive to service to financialisation; so social organisation of consumption passes through three invented categories: nuclear family, individual, behaviour. Now not only production but produsage moves from self to the fragmented division of affective/cognitive work, now disassociated from the residual comunitarianism of family which, bereft of its extension to kinship groups, persists as the last exploitable element of social solidarity (as in “I save for, work for, vote for my family”)

The mode of rebellion moves in parallel: to liberate the family from the bonds of kin; the individual from bonds of family; and now the behaviour from the bonds of coherent self. The war against the Cartesian ego is won and lost – the schiz is not a liberatory project anymore. It has become (like the individual before it) the unit of oppression and exploitation. As nomad, rhizome and smooth space moved from celebratory utopianisms to journalistic accounts of corporate organisational paradigms in the 1980s, the schiz is no longer a much needed liberation from Cartesian ego and becomes a journalistic account of the psychological outcome of the intensified division of labour into cognitive labour. Schiz today marks the triumph of hyper-inidividualist affective prosumerism over the old identitarian politics. Identity today, viewed from the data base economy, is a behaviour – while its significance to its performer is immense, to its audience it is purely data, because its audience is no longer (only) human but EdgeRank.

The extraction of profit and rent is no longer grounded on user-generated content as intellectual property, but as logistical aggregation of behaviours. The internet of things, which includes the thingly status of behaviours in disciplined consumption, parallels the move from productive/cognitive via service/affective to finance/logistical sectors. My debt is also a promise to consume – in an orderly fashion. Communicative capital is thereby reduced from the compulsory labour of UGC (Dean) to the universal exchange of derivatives in the form of bundled (future) affective and cognitive labour plus future consumption. It is absolutely clear in this that the demands of the falling rate of profit far supersede any remnant of use-value, such as the production of social solidarity as a value of communicative action.

From this position on the move from tasks to behaviours embracing the work of both production and consumption, the next stage is to trace the logistical. NIDL (but even factory discipline) depends on the logistical management of materials and workers's reproduction of labour.

The moment of the orchestration of transoceanic maritime transport – with the construction of the Suez Canal as its most extravagant expression – and the linkage of rail and telegraph on transcontinental scales, is precisely the same moment that the world ceases to be a Westphalian contractual and conflictual – and therefore event-based and thus historical, temporal – diversity of localities and regions and begins to become both a system and a planet. It is the moment when nature appears as a definitive other to the factory-industrial-urban complex. This is why the parallel history of nature is so important – the specifics of exclusion, externalisation and environmentalisation in each phase: because that granular production of nature's otherness is what will have to provide the allies for any future solidarity with post-individual human behaviour. The fragmentation of work and the institution of the logistical inaugurate the contemporary at the heart of the modern, and form one process with the environmentalisation of nature

Logistics is the electronic mode of panpsychism (task to be articulated in a piece I'm currently writing)

This thesis requires two further stages:
1 - a more detailed media history of logistics, from double-entry to adding machine and thence to digital – or perhaps more explicitly distribution (telegraph- radio – net) and storage (unique, copiable, generated) media
2 - to discover what is the appropriate mode of politics for a post-individual, behavioural cloud.